Showing posts with label mini review. Show all posts
Showing posts with label mini review. Show all posts

Tuesday, September 27, 2016

Mini Review and F2F Report: Brooklyn by Colm Toibin


I'm going to keep the description fairly brief and dive right into talking about my book group's discussion of Brooklyn because it was a surprising discussion.

Brooklyn tells the story of Eilis, a young Irish woman with a talent for numbers. Eilis is skilled at bookkeeping and is offered a job in a small shop as a clerk. Her boss, Miss Kelly, has a system by which she keeps the best customers happy. She's strict and not a particularly nice person, but Eilis is happy to be employed. Then, a priest returns to her small village from America for a visit. He knows someone who could give Eilis a much better job with the opportunity for growth and offers to help her move to New York City. Eilis's brothers live in Liverpool and by encouraging Eilis to move to the U.S., her big sister Rose is basically sacrificing any chance she might have to marry and move away, herself. Eilis takes the opportunity to leave and gradually finds her way in life and love as a new American. But, will she be happy if she marries? And, when tragedy strikes, forcing Eilis to go home, will she ever return?

I made the mistake of assuming there wouldn't be much to talk about in F2F group because Brooklyn is such a quiet, understated book that focuses on interpersonal relationships and the everyday events through which Eilis transitions from Irish woman to immigrant worker and then becomes, without even realizing it, an American. Those small changes, though, turned out to be eminently worthy of discussion.

Among other things, we discussed:


  • How well the author, a male, got into the head of his female main character.
  • Whether or not Rose was "sacrificing herself" by staying behind to live with and care for their mother while Eilis moved to America.
  • Comparison of the jobs Eilis held in Ireland and the U.S. and how culture impacted the way the employees interacted with customers.
  • Whether or not Eilis, her mother, and her brothers were culturally conditioned to say little in their letters to each other.
  • The relationship between Eilis and Rose.
  • The relationship between Eilis and her mother.
  • Why men left Ireland to get work in England.
  • How to pronounce those tricky Irish names (there were at least 4 or 5 different ways people thought Eilis might be pronounced). 
  • Eilis's immaturity and whether or not she matured throughout the book.
  • Eilis's passivity and whether she would have gone to America at all if she hadn't been encouraged by others.
This one's a potential spoiler, so I'll turn it white and you can highlight it if you're not worried about spoilers:
  • Why Eilis went back to America, in the end, and whether or not she would have gone if there hadn't been a connection between someone in Ireland and Eilis's landlord in New York.
  • What exactly was going on between Eilis and that fellow in Ireland.
  • The cultural differences between Irish and Italian families. 
  • The cover of the book shown above - whether or not it reminded anyone of what shops used to look like in small-town America (it did; I didn't mention my hometown but there were small stores that looked very much like the cover photo when I was young and those who grew up in Vicksburg said they remembered shops that appeared similar).


Wow, look at all that! There was so much to talk about. There was also a death that we discussed but I'm trying to avoid spoilers.

Some of us were aware that a movie version of Brooklyn has been made but none of us had viewed it, so there was no basis for comparison. We all did agree that we liked the book, though, and several people said they were going to look up the movie.

Recommended - I enjoyed the book, low-key as it was, and definitely recommend it. We didn't have a show of hands but there were really no negatives brought up so I think I can safely say everyone in my book group enjoyed Brooklyn and the discussion was a lively one. While I do recommend it for book group discussion, I'd advise printing out some topics to discuss. We were fine once we got going but there was a bit of twitchy shuffling before someone spoke up and got the conversation started.


©2016 Nancy Horner. All rights reserved. If you are reading this post at a site other than Bookfoolery  or its RSS feed, you are reading a stolen feed. Email bookfoolery@gmail.com for written permission to reproduce text or photos.

Monday, July 02, 2012

Monday Malarkey - Our lives in boxes and a mini-review of Robopocalypse by Daniel H. Wilson


This is a terrible photo but I thought it was just so darned cute. Fiona is in a box full of flattened boxes, in the photo above. She thinks it's her throne-slash-scratching-pad-deluxe.

I'm spending most of my days packing, now, but the usual things are still happening. I'm reading, of course, just sloooowly. After last week's Children's Day fun (reading four books in a single day with breaks to write about them is like permission to regress: awesome), I finished one book over the weekend. We'll get to that in a minute because, speaking of Children's Day, look at this very cool photo of a soldier reading I Need My Monster to his child via Skype! I Need My Monster was my favorite of the books I reviewed, last week.

Back to the book I finished over the weekend:

Robopocalypse by Daniel H. Wilson is so action-packed that it's clear why the movie rights were sold before the book had even been released (to be directed by Steven Spielberg). The story of a worldwide robot war told in retrospect and how the humans overcame the odds, Robopocalypse is narrated by one of the people who went on a mission to save the world from the evil computer Archos. By narrated, I mean the same person introduces each chapter and occasionally a chapter is written from his perspective, but it's also told using the voices of several characters who survived the robot wars as well as presumed viewpoints of some of the dead whose accounts can be described using CCTV footage and overheard witness accounts. The viewpoints alternate.

While flawed in the sense that most of the chapters begin as a past-tense personal account and then shift to first-person present narrative (which means many of the chapters sound like they've been written by the same person, with only vague differences in style), I was in need of a fast-paced read and Robopocalypse perfectly fit the bill. My only big complaint was the strong rural accents of many of the Oklahomans.

I mentioned that I was perplexed by the hick accents in Robopocalypse on Twitter and the author responded that perhaps I wouldn't be baffled if I'd grown up where he did. I told him where I'm from (just outside the Osage Nation, where the Oklahoma scenes take place) and I think he was a little stunned. My hometown was, however, heavily populated by people who were transferred in from the Midwest, at least during my youth, and strong rural accents were rare. Even amongst those I'd encountered, I don't think I came across anything quite so dramatic. The author told me he's from Tulsa "with a heavy dollop of Wagoner and Sallisaw," and, "I was channeling my own grandfather's voice through Lonnie Wayne." So, basically, I had called his grandfather a hick. Not that we don't have a few hicks in our extended family, but I need to learn to screen my tweets better.

At any rate, I still wish the author hadn't chosen to give a major character and quite a few others that heavy rural accent. I'm often frustrated by the way Oklahomans are portrayed (generally with a strong redneck bent, particularly in cinema) when most of the people I've encountered in Oklahoma have a soft Southern accent, at best, (think James Garner) and often a non-accent akin to that in the Midwest -- close to dictionary pronunciation. But, the book is great entertainment. I just tried to barrel through the heavily-accented scenes.

What I found most impressive was the technical aspect of the book. The author has degrees from the University of Tulsa and Carnegie Mellon in robotics (which I assume means he's a mechanical engineer; my sis-in-law, a mechanical engineer, did some robotics work in school). I always love reading a book written by an engineer because I'm comfortable with the way engineers speak. Also, Mathilda is an awesome character.

The movie is, unfortunately, going to be entirely filmed in Montreal, Canada. I was really hoping at least the Utica Square Mall scene would be filmed in Tulsa. It's scheduled for release in 2014. The book is pretty violent but it's about war so you have to expect that. I'd anticipate a lot of blood and screaming in the movie.

Books that walked in, this past week:

  • The Stars Shine Bright by Sibella Giorello - I keep swearing I'm not going to do any more tours but I love Sibella Giorello's mystery series so I signed up for a tour. The book just arrived from Thomas Nelson.
  • This Year You Write Your Novel by Walter Mosley - purchased at Off Square Books in Oxford, MS on Saturday (where we dashed up to look at an apartment for Kiddo).
  • Enemy Women by Paulette Jiles - freebie from Off Square Books, where they let you pick one of their old ARCs to take home with a $10 purchase.
  • Kaytek the Wizard by Janusz Korczak - Unsolicited book from Penlight Publications, for review.

And, that leads to what I'm currently reading:

I have some other in-progress books set aside but right now my focus is on two of the new arrivals. This Year You Write Your Novel is just 103 pages and I'm on about page 50-something. It's a very succinct book about what's important to know if you want to write a novel in a year, starting right now. It's extremely informative and nicely boils down the bare bones necessary to writing. Also, Mosley is superb at giving you a verbal kick in the pants. I'm enjoying This Year You Write Your Novel. I've completed several novels but haven't written fiction regularly in years so it's providing an excellent refresher course.

Kaytek the Wizard has a Harry-Potterish cover but it was written in 1933 and is quite different from today's fantasy novels. Kaytek is a young boy who wants to become a wizard and by concentrating on what he wants to happen, eventually succeeds. But, he's young and impulsive and most of his spell-casting causes chaos. Will Kaytek learn to control his powers and use them only for good?

I'm close to halfway into Kaytek the Wizard. I was intrigued when I read about the author, who ran an orphanage and chose to accompany his orphans to Treblinka concentration camp, where he died with them during WWII. Also, it was kind of cool to get a parcel with stickers saying it had originated in Jerusalem. Kaytek doesn't have the advantage of a handy school for wizards, but occasionally he'll get a helping hand (or a swift kick) from some invisible source.

Last but not least is an Izzy photo. Imagine wider eyes and the ears completely flat against her head (sheer terror, in other words) and you'll know what I see when I plop her post-medicine kitty treats into a bowl. Isabel is so smart that I have to change where I dose her and how, constantly. Otherwise, I'd never be able to catch her. She pretty much spit her entire morning dose onto my hand, today, so she'll be wrapped in a towel for tonight's medicine. Wrapping her up gives me just a tad more control.

Okay, back to packing. My life is just a series of bags and boxes, right now. What kind of malarkey is going on in your world?

©2012 Nancy Horner. All rights reserved. If you are reading this post at a site other than Bookfoolery and Babble or its RSS feed, you are reading a stolen feed. Email bookfoolery@gmail.com for written permission to reproduce text or photos.

Sunday, July 17, 2011

Sunday Jumble Pie - Mostly a reading update

It's kind of a lazy Sunday, here. I made the mistake of reading a few pages of One Second After, a post-apocalyptic novel by William R. Forstchen, when it arrived in the mail from PBS, yesterday. Couldn't put it down. I just finished reading it, early this afternoon. The apocalypse, as it were, is a result of EMP (Electromagnetic Pulse) caused by the detonation of nuclear bombs high in the atmosphere above the U.S. EMP causes electronics to short out unless they're "hardened" in advance, so the entire United States loses electricity, cell and land-line phone service, cars and planes cease to function and crash or roll to a stop, medical equipment and even back-up generators fail, etc.

I thought the idea was great but the execution was disappointing. One Second After simply was not a well-written book. Many of the adult characters peppered their dialogue with swear words -- and they all used them in the same manner. So, they didn't necessarily sound distinctive. There were also some major grammatical errors which, at first, I thought were an attempt at portraying a particular dialect. But, those errors were consistent across characters. Specifically, the author had his characters saying "would of" rather than "would have" or "would've". Boy, was that irritating.

Still, One Second After was interesting for the perspective and I always enjoy reading post-apocalyptic books because they're thought-provoking. Everyone who writes about a world after an apocalypse chooses a different focus and Forstchen examined things I might not have considered, such as how quickly many of our pharmaceutically-dependent population would die or go nuts, now that so many people are kept artificially healthy -- both physically and mentally -- with medication. I thought that was rather fascinating. And, the whole EMP concept? It's apparently feasible and certainly terrifying. It makes you want to read up on survival skills, how to successfully live an old-fashioned, pre-technology lifestyle and forage for food, etc.

Not a great book, not awful. I was surprised to find that the author has published 40 books; One Second After certainly could have used a lot more tightening. I'm not going to write a formal review -- this is it, kids.

Otherwise, I haven't made much progress on any of the books in my sidebar. I'm about 2/3 of the way through Amazing & Extraordinary Facts: Great Britain and enjoying it immensely. It's one of those books that you read in short bites so it may take me another week or so to finish, but I feel like I've learned a lot of interesting little tidbits. I got a kick out of the fact that baked beans were originally brought to Great Britain by Fortnum & Mason as an exotic (and overpriced) American import. Americans will probably laugh at the idea of anything by Heinz being billed as "exotic".

I started The Help and was totally in love by page
3, but haven't progressed past the first chapter in spite of that. Hopefully, I'll get back to that, soon. It's one of those books that I've avoided because of the hype, so I was really pleased when I started reading and found out it is, in fact, a very special kind of storytelling and not just another book set in the Deep South. I'm really not a big fan of Southern Lit, simply because I don't consider reading about the area in which I live escapist enough and I am definitely into escapism. But, I know already that I'm going to love The Help because of the writing and the genuine Southerness.

The Beekeeper's Lament is another book I'm reading rather slowly and finding fascinating. I knew we had a big die-off of European honeybees, a while back (the book says there was a big die-off in 2005, but there were previous bee plagues of unknown origin and I thought the big die-off was earlier; I do remember a year without
bees). I thought they were rebounding, so it really shocked me to find out that there are no longer any naturally-existing European honeybees in the continental United States. All the remaining bees are kept by beekeepers.

Really? That is kind of horrifying. At this point, our food supply is largely reliant upon beekeepers who truck their bees from farm to farm in order to help farmers with pollination. But, they still have large, mysterious die-offs that occur on a regular basis with no explanation. Imagine what would happen if we no longer had bees around at all. Scary.


Agonizing Love just arrived a few days ago and it's another one of those
books that I made the mistake of immediately opening. It's a book about romance comics, a type of comic books that were only popular for a handful of years. There's not all that much text but the author makes it clear that the book is more a celebration of romance comics and a sampling of them than a definitive text. In other words, you get a fun peek into a really dramatic style of old-fashioned graphic storytelling along with a little description by the author. Agonizing Love is a bit of a hoot. I'll tell you more about it when I finish.

Other books besides Agonizing Love and One Second After that have arrived, recently:

In the Heat of the Bite by Lydia Dare - from my friend, Melissa
Pillow Talk by Freya North - from Sourcebooks for a book chat
Jamie Durie's The Outdoor Room - from HarperCollins for review

That's all I can think of to chat about, so here's another London photo. On one brilliant, sunny day when my feet were weary, I sat on the little stretch of grass in front of the National Gallery at Trafalgar Square, eating a cheese & onion sandwich and watching the crowd while husband dashed off to fetch theatre tickets to Les Miserables. I was a little envious of the juicy strawberries those fellows in front of me thought to buy. Tired bodies love fruit.


©2011 Nancy Horner. All rights reserved. If you are reading this post at a site other than Bookfoolery and Babble or its RSS feed, you are reading a stolen feed. Email bookfoolery@gmail.com for written permission to reproduce text or photos.

Friday, July 15, 2011

Dog Tales by Susy Flory

Dog Tales by Susy Flory is subtitled "Inspirational Stories of Humor, Adventure and Devotion." While I've never been a dog owner and am none too fond of the fact that dogs are allowed to run loose where we live, I tend to like dogs on an individual basis -- when I know them well, that is. I'm just telling you that because I know my regular readers are well aware of my love of cats.

In Dog Tales, Susy Flory has chosen a variety of touching, humorous and otherwise interesting stories about dogs. Unfortunately, I don't remember many. That's not to say I didn't enjoy the book. I did. But, it wasn't memorable enough to stick with me for a month. What I mostly recall is impressions. Some of the stories are heartwarming, some sad, some truly amazing.

One story I remember well is the story of a Chow chow (eventually named Ohio). Ohio was filthy with long, matted fur and he spent his days lying in the middle of the street. A huge bear of a dog, he lay around looking depressed; he didn't respond to friendly strangers. A woman named Mary, who lived in his neighborhood, walked past the dog almost daily for a couple of years before deciding she needed to do something about him. After a bit of prayer, she summoned the courage to talk to the dog's owner. The owner hated the dog for reasons I won't go into and claimed he was a danger to her children. That was her excuse for neglect.

Mary asked if she could have the dog and his owner was happy to get rid of him. Mary and her friend took Ohio to Mary's house, where they clipped his filthy coat. What happened after the dog's fur was trimmed is beyond cool. He got up and danced around her yard! I would love to see such a thing. That particular story had a very happy ending as the dog's personality changed dramatically and he lived a long and happy life.

The stories in Dog Tales are a mixed batch. I liked some better than others. There's a Christian bent to this book, but it's not about Christianity. It's just that the author happens to be a Christian and mentions it when people prayed for their dogs or talked about God when they told their stories. I think this book is probably mostly likely to be enjoyed by dog owners, but I enjoyed reading it. I particularly loved the tale of a dog who saved a little boy from the Indonesian tsunami and a seeing-eye dog that led his owner out of one of the Twin Towers on 9/11. Heroic dog stories are always favorites.

The only thing I disliked about the book was the fact that many owners found what I personally consider bad behavior charming. Some of those dogs sounded to me like they needed to spend time at obedience school. But, I can relate to sometimes letting your pet get away with something he or she shouldn't, merely because a pet's so cute you don't want to stop them. Taking the time to snap Isabel's photo when she was lying in a place that's strictly forbidden (on the piano) is a prime example.

Recommended for pet lovers, particularly those who love dogs. My thanks to the author and Harvest House for the review copy.

And, speaking of dogs . . . my grand-dog is here for a visit! She very kindly brought my son with her. Here's the grand-dog, Peyton:

Don't you love those ears? Peyton has had to be boarded because she's an indoor dog and she doesn't like cats, but she's a very friendly, lovable dog and we had fun with her before she went to be boarded with our local vet.


©2011 Nancy Horner. All rights reserved. If you are reading this post at a site other than Bookfoolery and Babble or its RSS feed, you are reading a stolen feed. Email bookfoolery@gmail.com for written permission to reproduce text or photos.

Wednesday, December 01, 2010

Water Tales by Alice Hoffman - mini review

Water Tales by Alice Hoffman
Two Novels: Aquamarine and Indigo
Copyright 2002 and 2003
Scholastic
198 pages, total

I'm going to start whipping out quickies. Stop me and ask questions if you want more details about anything, okay? Okay.

Sometimes words spoken are the ones you've been afraid to think, but once they're said aloud there's no way to make them disappear. There, on a clear evening, in a town where it seemed nothing ever happened and nothing ever changed, these three friends decided to take hold of their fate.

--from Indigo, p. 141

I snatched up this copy of Water Tales at my library's perpetual sale, this week, and gobbled them right down. Both are about young friends facing uncertain futures. In Aquamarine, two girls who have been best friends and neighbors are spending their final summer together hanging out daily at the Capri Beach Club, which is going to be bulldozed at the end of the summer. Claire is going to move to Florida with her grandparents and Hailey promises not to make friends with whoever moves into Claire's house. Then, they are forced to face their fears and the future when a mermaid shows up in the Capri Beach Club's pool after a heavy storm.

In Indigo, Martha and her two friends Trevor and Eli (nicknamed "Trout" and "Eel" for their webbed hands and feet) spend time up on her roof and then hatch a plan to leave town. Martha's mother has died and her father hasn't recovered. A woman named Hildy has forced herself into their lives but she has no interest in Martha. Trout and Eel are adopted and yearn for the sea, but they were adopted during a vacation the McGill's took to the shore and have since been stranded in dry Oak Grove. Why won't their parents allow them to see the ocean? What should Martha do about Hildy?

I can't say I completely fell in love with either of these stories, but they had very uplifting and admirable common themes of friendship and taking control of your destiny. Alice Hoffman's writing is always quirky and kind of delightful but bears the weight of realism and I'm awfully fond of her style. I'd definitely recommend the stories, but don't expect anything overly enchanting or deep.

So . . . if I hurry up and re-donate the book to the library sale, do you think I can sneak out of ditching 10 books in its place?

©2010 Nancy Horner. All rights reserved. If you are reading this post at a site other than Bookfoolery and Babble, you are reading a stolen feed. Email bookfoolery@gmail.com for written permission to reproduce text or photos.

Tuesday, November 02, 2010

Everything Christmas by Border & Winters - sneak peek and mini review

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!


Today's Wild Card authors are:


and the book:


Everything Christmas

WaterBrook Press (October 5, 2010)

***Special thanks to Staci Carmichael, Marketing and Publicity Coordinator, Doubleday Religion / Waterbrook Multnomah, Divisions of Random House, Inc. for sending me a review copy.***

ABOUT THE AUTHORS:


David Bordon and Tom Winters are partners in Bordon-Winters, LLC, a book concept and packaging company that produces successful books and gift products. Their previous titles include the 101 Things You Should Do series, especially the popular 101 Things You Should Do Before Going to Heaven.


Product Details:

List Price: $14.99
Hardcover: 320 pages
Publisher: WaterBrook Press (October 5, 2010)
Language: English
ISBN-10: 030772929X
ISBN-13: 978-0307729293

AND NOW...THE FIRST CHAPTER:



December 1


Let Us Keep Christmas

Grace Noll Crowell

Whatever else be lost among the years,

Let us keep Christmas still a shining thing;

Whatever doubts assail us, or what fears,

Let us hold close one day, remembering

It’s poignant meaning for the hearts of men.

Let us get back our childlike faith again.




The History of Christmas

Many of our Christmas traditions were celebrated centuries before the Christ child was born. The twelve days of Christmas, the bright fires, the yule log, gift giving, carnivals, carolers going from house to house, holiday feasts, even church processions can all be traced back to the early Mesopotamians. These traditions were passed down throughout the known world and were popular in Rome long before the birth of Christ.

Most historians say that some three centuries after the birth of Christ, Christianity was spreading rapidly. Church leaders were alarmed that their converts continued to honor the ancient celebrations honoring pagan gods. Early Christians had chosen to keep the birth of their Christ child a solemn and religious holiday, without merriment. For centuries they had forbidden their members to take part in those ancient celebrations. But now it seemed it was a losing battle. As a compromise, they agreed to allow their members to partake in a demure and respectful celebration of the birth of Christ. Thus, the Christian celebration we know as Christmas was born in Rome, near the date 336 AD.

The actual date of Christ’s birth is unknown, so the early Christians chose December 25, probably to compete with the wildly popular Roman festival of Saturnalia. Eventually, most of the customs from the festival of Saturnalia were adopted into the celebration of Christmas and given new and sacred meanings.

Today, Christmas is both a holiday and a holy day. In America, it is the biggest event of the year, celebrated by people of all ages.




Christmas Every Day

William Dean Howells

The little girl came into her papa’s study, as she always did Saturday morning before breakfast, and asked for a story. He tried to beg off that morning, for he was very busy, but she would not let him. So he began:

“Well, once there was a little pig—”

She stopped him at the word. She said she had heard little pig stories till she was perfectly sick of them.

“Well, what kind of story shall I tell, then?”

“About Christmas. It’s getting to be the season.”

“Well!” Her papa roused himself. “Then I’ll tell you about the little girl that wanted it Christmas every day in the year. How would you like that?”

“First-rate!” said the little girl; and she nestled into comfortable shape in his lap, ready for listening.

“Very well, then, this little pig—Oh, what are you pounding me for?”

“Because you said little pig instead of little girl.”

“I should like to know what’s the difference between a little pig and a little girl that wanted Christmas every day!”

“Papa!” said the little girl warningly. At this her papa began to tell the story.

Once there was a little girl who liked Christmas so much that she wanted it to be Christmas every day in the year, and as soon as Thanksgiving was over she began to send postcards to the old Christmas Fairy to ask if she mightn’t have it. But the old Fairy never answered, and after a while the little girl found out that the Fairy wouldn’t notice anything but real letters sealed outside with a monogram—or your initial, anyway. So, then, she began to send letters, and just the day before Christmas, she got a letter from the Fairy, saying she might have it Christmas every day for a year, and then they would see about having it longer.

The little girl was excited already, preparing for the old-fashioned, once-a-year Christmas that was coming the next day. So she resolved to keep the Fairy’s promise to herself and surprise everybody with it as it kept coming true, but then it slipped out of her mind altogether.

She had a splendid Christmas. She went to bed early, so as to let Santa Claus fill the stockings, and in the morning she was up the first of anybody and found hers all lumpy with packages of candy, and oranges and grapes, and rubber balls, and all kinds of small presents. Then she waited until the rest of the family was up, and she burst into the library to look at the large presents laid out on the library table—books, and boxes of stationery, and dolls, and little stoves, and dozens of handkerchiefs, and inkstands, and skates, and photograph frames, and boxes of watercolors, and dolls’ houses—and the big Christmas tree, lighted and standing in the middle.

She had a splendid Christmas all day. She ate so much candy that she did not want any breakfast, and the whole forenoon the presents kept pouring in that had not been delivered the night before, and she went round giving the presents she had got for other people, and came home and ate turkey and cranberry for dinner, and plum pudding and nuts and raisins and oranges, and then went out and coasted, and came in with a stomachache crying, and her papa said he would see if his house was turned into that sort of fool’s paradise another year, and they had a light supper, and pretty early everybody went to bed cross.

The little girl slept very heavily and very late, but she was wakened at last by the other children dancing around her bed with their stockings full of presents in their hands. “Christmas! Christmas! Christmas!” they all shouted.

“Nonsense! It was Christmas yesterday,” said the little girl, rubbing her eyes sleepily.

Her brothers and sisters just laughed. “We don’t know about that. It’s Christmas today, anyway. You come into the library and see.”

Then all at once it flashed on the little girl that the Fairy was keeping her promise, and her year of Christmases was beginning. She was dreadfully sleepy, but she sprang up and darted into the library. There it was again! Books, and boxes of stationery, and dolls, and so on.

There was the Christmas tree blazing away, and the family picking out their presents, and her father looking perfectly puzzled, and her mother ready to cry. “I’m sure I don’t see how I’m to dispose of all these things,” said her mother, and her father said it seemed to him they had had something just like it the day before, but he supposed he must have dreamed it. This struck the little girl as the best kind of a joke, and so she ate so much candy she didn’t want any breakfast, and went round carrying presents, and had turkey and cranberry for dinner, and then went out and coasted, and came in with a stomachache, crying.

Now, the next day, it was the same thing over again, but everybody getting crosser, and at the end of a week’s time so many people had lost their tempers that you could pick up lost tempers anywhere, they perfectly strewed the ground. Even when people tried to recover their tempers they usually got somebody else’s, and it made the most dreadful mix.

The little girl began to get frightened, keeping the secret all to herself, she wanted to tell her mother, but she didn’t dare to, and she was ashamed to ask the Fairy to take back her gift, it seemed ungrateful and ill-bred. So it went on and on, and it was Christmas on St. Valentine’s Day and Washington’s Birthday, just the same as any day, and it didn’t skip even the First of April, though everything was counterfeit that day, and that was some little relief.

After a while turkeys got to be awfully scarce, selling for about a thousand dollars apiece. They got to passing off almost anything for turkeys—even half-grown hummingbirds. And cranberries—well they asked a diamond apiece for cranberries. All the woods and orchards were cut down for Christmas trees. After a while they had to make Christmas trees out of rags. But there were plenty of rags, because people got so poor, buying presents for one another, that they couldn’t get any new clothes, and they just wore their old ones to tatters. They got so poor that everybody had to go to the poorhouse, except the confectioners, and the storekeepers, and the book sellers, and they all got so rich and proud that they would hardly wait upon a person when he came to buy. It was perfectly shameful!

After it had gone on about three or four months, the little girl, whenever she came into the room in the morning and saw those great ugly, lumpy stockings dangling at the fireplace, and the disgusting presents around everywhere, used to sit down and burst out crying. In six months she was perfectly exhausted, she couldn’t even cry anymore.

And now it was on the Fourth of July! On the Fourth of July, the first boy in the United States woke up and found out that his firecrackers and toy pistol and two-dollar collection of fireworks were nothing but sugar and candy painted up to look like fireworks. Before ten o’clock every boy in the United States discovered that his July Fourth things had turned into Christmas things and was so mad. The Fourth of July orations all turned into Christmas carols, and when anybody tried to read the Declaration of Independence, instead of saying, “When in the course of human events it becomes necessary,” he was sure to sing, “God rest you merry gentlemen.” It was perfectly awful.

About the beginning of October the little girl took to sitting down on dolls wherever she found them—she hated the sight of them so, and by Thanksgiving she just slammed her presents across the room. By that time people didn’t carry presents around nicely anymore. They flung them over the fence or through the window, and, instead of taking great pains to write “For dear Papa,” or “Mama “ or “Brother,” or “Sister,” they used to write, “Take it, you horrid old thing!” and then go and bang it against the front door.

Nearly everybody had built barns to hold their presents, but pretty soon the barns overflowed, and then they used to let them lie out in the rain, or anywhere. Sometimes the police used to come and tell them to shovel their presents off the sidewalk or they would arrest them.

Before Thanksgiving came it had leaked out who had caused all these Christmases. The little girl had suffered so much that she had talked about it in her sleep, and after that hardly anybody would play with her, because if it had not been for her greediness it wouldn’t have happened. And now, when it came Thanksgiving, and she wanted them to go to church, and have turkey, and show their gratitude, they said that all the turkeys had been eaten for her old Christmas dinners and if she would stop the Christmases, they would see about the gratitude. And the very next day the little girl began sending letters to the Christmas Fairy, and then telegrams, to stop it. But it didn’t do any good, and then she got to calling at the Fairy’s house, but the girl that came to the door always said, “Not at home,” or “Engaged,” or something like that, and so it went on till it came to the old once-a-year Christmas Eve. The little girl fell asleep, and when she woke up in the morning—

“She found it was all nothing but a dream,” suggested the little girl.

“No indeed!” said her papa. “It was all every bit true!”

“What did she find out, then?”

“Why, that it wasn’t Christmas at last, and wasn’t ever going to be, anymore. Now it’s time for breakfast.”

The little girl held her papa fast around the neck.

“You shan’t go if you’re going to leave it so!”

“How do you want it left?”

“Christmas once a year.”

“All right,” said her papa, and he went on again.

Well, with no Christmas ever again, there was the greatest rejoicing all over the country. People met together everywhere and kissed and cried for joy. Carts went around and gathered up all the candy and raisins and nuts, and dumped them into the river, and it made the fish perfectly sick. And the whole United States, as far out as Alaska, was one blaze of bonfires, where the children were burning up their presents of all kinds. They had the greatest time!

The little girl went to thank the old Fairy because she had stopped its being Christmas, and she said she hoped the Fairy would keep her promise and see that Christmas never, never came again. Then the Fairy frowned, and said that now the little girl was behaving just as greedily as ever, and she’d better look out. This made the little girl think it all over carefully again, and she said she would be willing to have it Christmas about once in a thousand years, and then she said a hundred, and then she said ten, and at last she got down to one. Then the Fairy said that was the good old way that had pleased people ever since Christmas began, and she was agreed. Then the little girl said, “What’re your shoes made of?” And the Fairy said, “Leather.” And the little girl said, “Bargain’s done forever,” and skipped off, and hippity-hopped the whole way home, she was so glad.

“How will that do?” asked the papa.

“First-rate!” said the little girl, but she hated to have the story stop, and was rather sober. However, her mama put her head in at the door and asked her papa:

“Are you never coming to breakfast? What have you been telling that child?”

“Oh, just a tale with a moral.”

The little girl caught him around the neck again.

“We know! Don’t you tell what, papa! Don’t you tell what!”



William Dean Howells (1837—1920) Best known as an editor and critic, this American fiction writer produced more than forty novels and story collections. He challenged American authors to choose American subjects, portray them honestly, and create characters who use native-American speech. As a critic, he helped to introduce writers like Mark Twain, Hamlin Garland, and Stephen Crane to American readers.




What is Christmas? It is tenderness for the past,

courage for the present, hope for the future.

It is a fervent wish that every cup may overflow

with blessings rich and eternal, and that

every path may lead to peace.

Agnes M. Pharo




Scented Applesauce-Cinnamon

Ornaments



3 cups applesauce

3 cups ground cinnamon



Mix applesauce and cinnamon together until it is thick enough to hold a form. Flatten the mixture on a flat surface and cut into cookie-cutter shapes.

Place cookie shapes on a cookie sheet to dry for 3 to 4 days depending on the size and thickness of the cookies. If using as a hanging ornament, make a hole with a toothpick before drying.

Makes 15 ornaments.




Chestnut Dressing

8 Tbsp. butter

3 ribs celery with leaves, chopped

16 ounces chestnuts

1 large chopped onion

1/4 cup chopped parsley

1 pound sourdough bread, cubed

3 cups turkey stock



Preheat oven to 400°F. Cut a deep X into the flattest side of each chestnut and place in a single layer on a baking sheet. Bake 30 minutes, or until outer skin of chestnut splits. Wrap roasted chestnuts in a towel to keep warm. Peel off the tough outer skin of the chestnut and thinner inner skin with a sharp knife. Chop the chestnuts coarsely and set aside.

Melt butter in a large skillet over medium heat. Add onion and celery and cook, stirring occasionally, for 10 minutes. Empty skillet contents into a large bowl. Add cubed bread, parsley, and enough stock to moisten the mix, about 2 1/2 cups. Stir in chestnuts and add salt and pepper to taste.

Use to stuff poultry or place in a buttered baking dish, drizzle with 1/2 cup more stock, and bake 30 minutes to an hour.

Makes 10–11 cups.




Roasted Goose

1 goose, 10–12 pounds

1 orange, halved

kosher salt and black pepper, to taste

For giblet stock (used in gravy):

2 onions, quartered

1 carrot, chopped

2 celery stalks, chopped

2 pints of water

2 sprigs of sage

2 sprigs fresh thyme

1 Tbsp. cornstarch (to thicken)



The goose should be defrosted and left at room temperature for at least 2 or 3 hours before cooking to bring it to equilibrium. This will improve the overall texture of the finished product. Remove the giblets from the goose and set aside. Wash the bird thoroughly inside and out with cool water and pat dry with a kitchen towel. Cut away any loose pieces of fat. Then rub the orange inside and outside of the bird. Mix the salt and pepper and rub into the skin and inside the cavity of the bird to season it.

Preheat the oven to 425°F.

Truss the bird by folding the wings back under the body. Then tie the legs together with butcher’s twine. Lightly prick the skin of the bird several times with a fork to allow the fat to adequately render during the cooking process. It is important not to pierce the flesh of the bird. Place the goose breast-side up on a rack in the roasting pan, and bake in the oven for approximately 30 minutes to develop some initial color. Then reduce the oven temperature to 325°F and continue cooking for approximately 3 hours.

Make a simple giblet stock to fortify and enrich the gravy while the goose is roasting by placing the giblets in a saucepan with some goose fat and cooking over low heat until browned. Add chopped onion, carrot, celery, herbs, and water. Bring to a boil and then simmer gently for about one hour. Strain and cool until needed.

The goose is done when the internal temperature of the thigh reaches 175°F. For a visual test to see if the goose is cooked, insert a skewer into the thickest part of the thigh. If the juices run clear, then it is ready. If not, then return to the oven for additional roasting time.

Once the goose is cooked, allow it to rest for 20–30 minutes. This will allow the meat to firm up and will help retain the juiciness of the bird. Remove all of the drippings from the roasting pan, strain, and remove the fat. Add these defatted drippings to the giblet broth and season to taste. To thicken the gravy, combine 1 Tbsp. of cornstarch with 3 Tbsp. of water and add to the gravy. Bring to a boil and simmer for 1–2 minutes or until thickened.




O Little Town of Bethlehem

Phillips Brooks



O little town of Bethlehem, how still we see thee lie!

Above thy deep and dreamless sleep the silent stars go by.

Yet in thy dark streets shineth the everlasting Light;

The hopes and fears of all the years are met in thee tonight.

For Christ is born of Mary, and gathered all above,

While mortals sleep, the angels keep their watch of wondering love.

O morning stars together, proclaim the holy birth,

And praises sing to God the King, and peace to men on earth!

How silently, how silently, the wondrous Gift is giv’n;

So God imparts to human hearts the blessings of His heav’n.

No ear may hear His coming, but in this world of sin,

Where meek souls will receive Him still, the dear Christ enters in.

Where children pure and happy pray to the blessed Child,

Where misery cries out to Thee, Son of the mother mild;

Where charity stands watching and faith holds wide the door,

The dark night wakes, the glory breaks, and Christmas comes once more.

O holy Child of Bethlehem, descend to us, we pray;

Cast out our sin, and enter in, be born in us today.

We hear the Christmas angels the great glad tidings tell;

O come to us, abide with us, our Lord Emmanuel!



Historical Note:

On Christmas Eve, 1865, Phillips Brooks was in Jerusalem, a trip intended to inspire spiritual rebirth after the horrors of the Civil War. Just a few months earlier, he had spoken at the funeral of President Abraham Lincoln. That clear night as he walked the streets of the Holy City, he had a sudden inspiration. Renting a horse, he set out for Bethlehem. After a solitary journey under the clear night sky, Brooks reached the tiny, remote village and was surrounded by the spirit of the first Christmas. His impoverished soul was refreshed as he considered what had happened there so many years before. Three years later on Christmas Eve, 1868, as he sat alone in his study preparing his sermon for the next day, he felt inspired to pen the words to this beautiful carol.




I, the Lord All-Powerful,

will send my messenger

to prepare the way for me.

Then suddenly the Lord

you are looking for

will appear in his temple.

The messenger you desire

is coming with my promise,

and he is on his way.

(Malachi 3:1, cev)

Bookfool's review:

I haven't read this entire book, yet, because I've just been picking it up on occasion to read an entry or two. It's really quite a hodge-podge of recipes, Christmas-song lyrics, craft ideas, poetry, stories, facts about Christmas, jokes . . . you name it and it's probably in there . . . but set up so that each day of December has several readings and/or things to do. It's a lovely little book and especially great if you're in the mood to spend an entire month with Christmas. I'm doing most of my Christmas reading a little early, but I like the idea of spreading out the joy and I'm going to go ahead and save what I haven't read for the actual month of December. Definitely recommended for either individuals who want to have something to read or do each day of December or for families looking for holiday activities and readings to keep the kids busy and happy.

Friday, June 18, 2010

Fiona Friday and a review of Bird Girl by Velma Wallis

Fiona says . . . "Somebody did a crap job painting this ceiling."



And, the review:

Bird Girl and the Man who Followed the Sun by Velma Wallis is a combination of two Gwich'in Alaskan folk tales with a little bit of artistic license thrown in to combine the two.

One tale is about a young girl, nicknamed "Bird Girl", who loves to hunt instead of cooking and sewing as the women are expected to do. Her preference is allowed by her parents, but it makes her a bit of an outcast. The other tale is about a boy named Daagoo, who has a bad case of wanderlust. Daagoo's curious about the land he's heard about in tales told by the elders, a land where the sun shines year-round. He owns the leather map passed down by those who traveled to this land and hopes to go there himself, one day.

Both Bird Girl and Daagoo are from the Gwich'in tribe, but they live in separate bands of the same tribe. Sometime during their adolescence, Daagoo and Bird Girl cross paths, but years pass before they meet up, again, and they both experience a tremendous amount of horror and pain before that occurs.

Daagoo often neglects the hunting he's expected to do, in order to explore, and eventually (when he reaches manhood), he is told he must do his part or the band will cast him out. He agrees, thinking eventually he will leave, when the time is right. But, during the annual caribou hunt, tragedy strikes and Daagoo is forced to take over as leader of his tribe.

Meanwhile, Bird Girl runs away from home when she's told she must marry and do womanly things. After only a short time, she's kidnapped by an enemy tribe then raped, beaten and abused for years. She is unable to escape till a brutal game played deliberately to humiliate and horrify her leads to a shocking act that rids her of her captors, forever.

Daagoo also experiences a number of horrors. He eventually goes on his trip south; but, even after finding the land he has long wished to see, another tragedy occurs and he returns home to his people.

Bottom line:

There is a lot of gore and horror in this little book. That's not particularly unusual for folk tales, I suppose, but I was a little relieved to finish the book because it was a bit too much for me. Two Old Women (the first folk tale retold by Wallis) is much more palatable, in spite of a similar theme: Everyone must do his or her part to keep the tribe safe and well-fed or face the consequences (in Two Old Women, even aging is a hazard).

What I liked best:

The Tlingit people, whom I've read a bit about and find fascinating, allow Daagoo to stay with them for a time when he travels south, and then again when he returns to his people. They're peaceful and happy people. I particularly loved the part in which Daagoo is allowed to trade a song for something he needs -- I think for food, although I can't remember! I was so fascinated by the idea that a song could be considered something acceptable to barter away that I guess the item he got in exchange wasn't important to me. Wallis said that is actually a part of the original story.

Although it wasn't my favorite folk story and the violence was a bit too much for me, I still did enjoy Bird Girl and the Man who Followed the Sun and recommend it to anyone who both likes folk tales and has a strong stomach.

Wednesday, November 25, 2009

A Novel Idea by Various Best-Selling Authors (sneak peek & mini review at end)

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!


Today's Wild Card authors are:

Various Best-Selling Authors
(contributions from best-selling authors including Jerry B. Jenkins, Francine Rivers, Karen Kingsbury, Randy Alcorn, Terri Blackstock, Robin Jones Gunn, Angela Hunt and more)

and the book:


A Novel Idea

Tyndale House Publishers, Inc. (November 1, 2009)

***Special thanks to Vicky Lynch of Tyndale House Publishers for sending me a review copy.***

ABOUT THE BOOK:




Best-selling Christian fiction writers have teamed together to contribute articles on the craft of writing. A Novel Idea contains tips on brainstorming ideas and crafting and marketing a novel. It explains what makes a Christian novel “Christian” and offers tips on how to approach tough topics. Contributors include Jerry B. Jenkins, Karen Kingsbury, Francine Rivers, Angela Hunt, and many other beloved authors. All proceeds will benefit MAI, an organization that teaches writing internationally to help provide literature that is culturally relevant.




Product Details:

List Price: $14.99
Paperback: 320 pages
Publisher: Tyndale House Publishers, Inc. (November 1, 2009)
Language: English
ISBN-10: 1414329946
ISBN-13: 978-1414329949

AND NOW...THE FIRST CHAPTER:


Chapter 1: Plot

The Plot Skeleton

Angela Hunt

Imagine, if you will, that you and I are sitting in a room with one hundred other authors. If you were to ask each person present to describe their plotting process, you’d probably get a hundred different answers. Writers’ methods vary according to their personalities, and we are all different. Mentally. Emotionally. Physically.

If, however, those one hundred novelists were to pass behind an X-ray machine, you’d discover that we all possess remarkably similar skeletons. Beneath our disguising skin, hair, and clothing, our skeletons are pretty much identical.

In the same way, though writers vary in their methods, good stories are composed of remarkably comparable skeletons. Stories with “good bones” can be found in picture books and novels, plays and films.

Many fine writers tend to carefully outline their plots before they begin the first chapter. On the other hand, some novelists describe themselves as “seat-of-the-pants” writers. But when the story is finished, a seat-of-the-pants novel will (or should!) contain the same elements as a carefully plotted book. Why? Because whether you plan it from the beginning or find it at the end, novels need structure beneath the story.

After mulling several plot designs and boiling them down to their basic elements, I developed what I call the “plot skeleton.” It combines the spontaneity of seat-of-the-pants writing with the discipline of an outline. It requires a writer to know where he’s going, but it leaves room for lots of discovery on the journey.

When I sit down to plan a new book, the first thing I do is sketch my smiling little skeleton.

To illustrate the plot skeleton in this article, I’m going to refer frequently to The Wizard of Oz and a lovely foreign film you may never have seen, Mostly Martha.

The Skull: A Central Character
The skull represents the main character, the protagonist. A lot of beginning novelists have a hard time deciding who the main character is, so settle that question right away. Even in an ensemble cast, one character should be featured more than the others. Your readers want to place themselves into your story world, and it’s helpful if you can give them a sympathetic character to whom they can relate. Ask yourself, “Whose story is this?” That is your protagonist.

This main character should have two needs or problems—one obvious, one hidden—which I represent by two yawning eye sockets.

Here’s a tip: Hidden needs, which usually involve basic human emotions, are often solved or met by the end of the story. They are at the center of the protagonist’s “inner journey,” or character change, while the “outer journey” is concerned with the main events of the plot. Hidden needs often arise from wounds in a character’s past.

Consider The Wizard of Oz. At the beginning of the film, Dorothy needs to save her dog from Miss Gulch, who has arrived to take Toto because he bit her scrawny leg—a very straightforward and obvious problem. Dorothy’s hidden need is depicted but not directly emphasized when she stands by the pigpen and sings “Somewhere Over the Rainbow.” Do children live with Uncle Henry and Aunt Em if all is fine with Mom and Dad? No. Though we are not told what happened to Dorothy’s parents, it’s clear that something has splintered her family and Dorothy’s unhappy. Her hidden need, the object of her inner journey, is to find a place to call home.

Mostly Martha opens with the title character lying on her therapist’s couch and talking about all that is required to cook the perfect pigeon. Since she’s in a therapist’s office, we assume she has a problem, and the therapist addresses this directly: “Martha, why are you here?”

“Because,” she answers, “my boss will fire me if I don’t go to therapy.” Ah—obvious problem at work with the boss. Immediately we also know that Martha is high-strung. She is precise and politely controlling in her kitchen. This woman lives for food, but though she assures us in a voice-over that all a cook needs for a perfectly lovely dinner is “fish and sauce,” we see her venture downstairs to ask her new neighbor if he’d like to join her for dinner. He can’t, but we become aware that Martha needs company. She needs love in her life.

Connect the Skull to the Body: Inciting Action
Usually the first few chapters of a novel are involved with the business of establishing the protagonist in a specific time and place, his world, his needs, and his personality. The story doesn’t kick into gear, though, until you move from the skull to the spine, a connection known as the inciting incident.

Writers are often told to begin the story in medias res, or in the middle of the action. This is not the same as the Big Incident. Save the big event for a few chapters in, after you’ve given us some time to know and understand your character’s needs. Begin your story with an obvious problem—some action that shows how your character copes. In the first fifth of the story we learn that Dorothy loves Toto passionately and that Martha is a perfectionist chef. Yes, start in the middle of something active, but hold off on the big event for a while. Let us get to know your character first . . . because we won’t gasp about their dilemma until we know them.

In a picture book, the inciting incident is often signaled by two words: One day . . . Those two words are a natural way to move from setting the stage to the action. As you plot your novel, ask yourself, “One day, what happens to move my main character into the action of the story?” Your answer will be your inciting incident, the key that turns your story engine.

After Dorothy ran away, if she’d made it home to Uncle Henry and Aunt Em without incident, there would have been no story. The inciting incident? When the tornado picks Dorothy up and drops her, with her house, in the land of Oz.

The inciting incident in Mostly Martha is signaled by a ringing telephone. When Martha takes the call, she learns that her sister, who was a single mother to an eight-year-old girl, has been killed in an auto accident.

Think of your favorite stories—how many feature a hero who’s reluctant to enter the special world? Often—but not always—your protagonist doesn’t want to go where the inciting incident is pushing him or her. Obviously, Martha doesn’t want to hear that her sister is dead, and she certainly doesn’t want to be a mother. She takes Lina, her niece, and offers to cook for her (her way of showing love), but Lina wants her mother, not gourmet food.

Even if your protagonist has actively pursued a change, he or she may have moments of doubt as the entrance to the special world looms ahead. When your character retreats or doubts or refuses to leave the ordinary world, another character should step in to provide encouragement, advice, information, or a special tool. This will help your main character overcome those last-minute doubts and establish the next part of the skeleton: the goal.

The End of the Spine: The Goal
At some point after the inciting incident, your character will establish and state a goal. Shortly after stepping out of her transplanted house, Dorothy looks around Oz and wails, “I want to go back to Kansas!” She’s been transported over the rainbow, but she prefers the tried and true to the unfamiliar and strange. In order to go home, she’ll have to visit the wizard in the Emerald City. As she tries to meet an ever-shifting set of subordinate goals (follow the yellow brick road; overcome the poppies; get in to see the wizard; bring back a broomstick), her main goal keeps viewers glued to the screen.

This overriding concern—will she or won’t she make it home?—is known as the dramatic question. The dramatic question in every murder mystery is, Who committed the crime? The dramatic question in nearly every thriller is, Who will win the inevitable showdown between the hero and the villain? Along the way readers will worry about the subgoals (Will the villain kill his hostage? Will the hero figure out the clues?), but the dramatic question keeps them reading until the last page.

Tip: To keep the reader involved, the dramatic question should be directly related to the character’s ultimate goal. Martha finds herself trying to care for a grieving eight-year-old who doesn’t want another mother. So Martha promises to track down the girl’s father, who lives in Italy. She knows only that his name is Giuseppe, but she’s determined to find him.

The Rib Cage: Complications
Even my youngest students understand that a protagonist who accomplishes everything he or she attempts is a colorless character. As another friend of mine is fond of pointing out, as we tackle the mountain of life, it’s the bumps we climb on! If you’re diagramming, sketch at least three curving ribs over your spine. These represent the complications that must arise to prevent your protagonist from reaching his goal.

Why at least three ribs? Because even in the shortest of stories—in a picture book, for instance—three complications work better than two or four. I don’t know why three gives us such a feeling of completion, but it does. Maybe it’s because God is a Trinity and we’re hardwired to appreciate that number.

While a short story will have only three complications, a movie or novel may have hundreds. Complications can range from the mundane—John can’t find a pencil to write down Sarah’s number—to life-shattering. As you write down possible complications that could stand between your character and his ultimate goal, place the more serious problems at the bottom of the list.

The stakes—what your protagonist is risking—should increase in significance as the story progresses. In Mostly Martha, the complications center on this uptight woman’s ability to care for a child. Lina hates her babysitter, so Martha has to take Lina to work with her. But the late hours take their toll, and Lina is often late for school. Furthermore, Lina keeps refusing to eat anything Martha cooks for her.

I asked you to make the ribs curve because any character that runs into complication after complication without any breathing space is going to be a weary character . . . and you’ll weary your reader with this frenetic pace. One of the keys to good pacing is to alternate your plot complications with rewards. Like a pendulum that swings on an arc, let your character relax, if only briefly, between disasters.

Along the spiraling yellow brick road, Dorothy soon reaches an intersection (a complication). Fortunately, a friendly scarecrow is willing to help (a reward). They haven’t gone far before Dorothy becomes hungry (a complication). The scarecrow spots an apple orchard ahead (a reward). These apple trees, however, resent being picked (a complication), but the clever scarecrow taunts them until they begin to throw fruit at the hungry travelers (a reward).

See how it works? Every problem is followed by a reward that matches the seriousness of the complication. Let’s fast-forward to the scene where the balloon takes off without Dorothy. This is a severe complication—so severe it deserves a title of its own: the bleakest moment. This is the final rib in the rib cage, the moment when all hope is lost for your protagonist.

The Thighbone: Send in the Cavalry
At the bleakest moment, your character needs help, but be careful how you deliver it. The ancient Greek playwrights had actors representing the Greek gods literally descend from the structure above to bring their complicated plot knots to a satisfying conclusion. This sort of resolution is frowned upon in modern literature. Called deus ex machina (literally “god from the machine”), this device employs some unexpected and improbable incident to bring victory or success. If you find yourself whipping up a coincidence or a miracle after the bleakest moment, chances are you’ve employed deus ex machina. Back up and try again, please.

Avoid using deus ex machina by sending two types of help: external and internal. Your character obviously needs help from outside; if he could solve the problem alone, he would have done it long before the bleakest moment. Having him conveniently remember something or stumble across a hidden resource smacks of coincidence and will leave your reader feeling resentful and cheated.

So send in the cavalry, but remember that they can’t solve the protagonist’s problem. They can give the protagonist a push in the right direction; they can nudge; they can remind; they can inspire. But they shouldn’t wave a magic wand and make everything all right.

For Dorothy, help comes in the form of Glenda the Good Witch, who reveals a secret: The ruby slippers have the power to carry her back to Kansas. All Dorothy has to do is say, “There’s no place like home”—with feeling, mind you—and she’ll be back on the farm with Uncle Henry and Auntie Em. Dorothy’s problem isn’t resolved, however, until she applies this information internally. At the beginning of the story, she wanted to be anywhere but on the farm. Now she has to affirm that the farm is where she wants to be. Her hidden need—to find a place to call home—has been met.

In Mostly Martha, the bleakest moment arrives with Lina’s father, Giuseppe. He is a good man, and Lina seems to accept him. But after waving good-bye, Martha goes home to an empty apartment and realizes that she is not happy with her controlled, childless life. She goes to Marlo, the Italian chef she has also begun to love, and asks for his help.

The Kneecap and Lower Leg: Make a Decision, Learn a Lesson
Martha realizes that her old life was empty—she needs Lina in her life, and she needs Marlo. So she and Marlo drive from Germany to Italy to fetch Lina and bring her home.

You may be hard-pressed to cite the lesson you learned from the last novel you read, but your protagonist needs to learn something. This lesson is the epiphany, a sudden insight that speaks volumes to your character and brings them to the conclusion of their inner journey.

James Joyce popularized the word epiphany, literally the manifestation of a divine being. (Churches celebrate the festival of Epiphany on January 6 to commemorate the meeting of the Magi and the Christ child.) After receiving help from an outside source, your character should see something—a person, a situation, or an object—in a new light.

When the scarecrow asks why Glinda waited to explain the ruby slippers, the good witch smiles and says, “Because she wouldn’t have believed me. She had to learn it for herself.” The scarecrow then asks, “What’d you learn, Dorothy?” Without hesitation, Dorothy announces that she’s learned a lesson: “The next time I go looking for my heart’s desire, I won’t look any farther than my own backyard.” She has learned to appreciate her home, so even though she is surrounded by loving friends and an emerald city, Dorothy chooses to return to colorless Kansas. She hugs her friends once more, then grips Toto and clicks her heels.

The Foot: The Resolution
Every story needs the fairy-tale equivalent of “and they lived happily ever after.” Not every story ends happily, of course, though happy endings are undoubtedly popular. Some protagonists are sadder and wiser after the course of their adventure. But a novel should at least leave the reader with hope.

The resolution to Mostly Martha is portrayed during the closing of the film. As the credits roll, we see Marlo and Martha meeting Lina in Italy; we see Martha in a wedding gown (with her hair down!) and Marlo in a tuxedo; we see a wedding feast with Giuseppe, his family, and Martha’s German friends; we see Martha and Marlo and Lina exploring an abandoned restaurant—clearly, they are going to settle in Italy so Lina can be a part of both families. In the delightful final scene, we see Martha with her therapist again, but this time he has cooked for her and she is advising him.

Many movies end with a simple visual image—we see a couple walking away hand in hand, a mother cradling her long-lost son. That’s all we need to realize that our main character has struggled, learned, and come away a better (or wiser) person. As a writer, you’ll have to use words, but you can paint the same sort of reassuring picture without resorting to “and they lived happily ever after.”

Your story should end with a changed protagonist—he or she has gone through a profound experience and is different for it, hopefully for the better. Your protagonist has completed an outer journey (experienced the major plot events) and an inner journey that address some hurt from the past and result in a changed character.

What Next?
Now that we’ve reached the foot of our story skeleton, we’re finished outlining the basic structure. Take those major points and write them up in paragraph form. Once you’ve outlined your plot and written your synopsis, you’re ready to begin writing scenes. Take a deep breath, glance over your skeleton, and jump in.


Taken from A Novel Idea by ChiLibras. Copyright ©2009 by ChiLibras. Used with permission from Tyndale House Publishers. All rights reserved.

I love what I've read of this book, although I've yet to finish. Because I'm pressed for time, with family home for the holiday, I'm not going to push myself to read and write a full review right away. I will tell you, though, that it already helped me through some problems I was having with my National Novel Writing Month work. I need to stop and rethink my plot. Hopefully, there will be something else in this book that will help me pinpoint how to go about fixing my problem. I have a plot problem, but I love my characters and settings. This is a book that I highly, enthusiastically recommend for budding writers and would make an excellent Christmas idea.

Sunday, April 06, 2008

Things I see on a normal day, and a finished book!!!

I had some fun, this weekend (!!!!). First, I went for a drive in the countryside and took a trip to Woolaroc Museum and Wildlife Refuge on Saturday afternoon. I took loads of photos. Sunday, I was able to get away to my in-laws' house to upload a handful. Yippee! I've separated them so that I can stretch recent photos out for a bit, to make the blog a bit less dull. Today, a few photos of things outside my sister's house. Huge thanks to the in-laws for the food, company and internet time!

Here's one of my favorite photos of my sister's dog, Buddy, giving me the sweet, "Please-please-please walk me or play with me or chase me or anything" look. Buddy is part dachsund and part something . . . not sure what . . . and 100% loveable. Note how he's holding himself as if he can't quite sit all the way down and is poised to leap forward. He's an eager little fellow.



Buddy has been ignoring the squirrels, which I definitely appreciate. Apparently, he does sometimes hunt them, but they're so entertaining that it's a relief to see the pupster ignoring their antics. Squirrels in Bartlesville are very different from our Southern fox squirrels. Here, they have little gray squirrels, which are quite cute.

My brother-in-law told me they had a family with three baby squirrels in their yard, last year, and that the babies provided a great deal of entertainment. "They play like kittens," he informed me, "chasing each other and jumping over each other, tussling. Such fun to watch." I felt a little envious. But, even the individual squirrels have been amusing, so there will be a few more squirrel photos in upcoming posts. The photo above looks practically posed, like he's graduating from Squirrel High School, but I liked the lighting, so there you go.

Not far from the driveway is a lovely forsythia bush. This isn't a very good photo, but the backdrop of that dark blue sky against sunny lemon blooms is so pretty.

While I've been immersed in caregiving, I've had a bit of trouble with losing track of time. So, pardon the huge delay posting a link to Estella's Revenge. The latest issue has been up for days. I managed to read a few articles and, of course, they were all superb. Is "superb" an uppity word? Anyway, I enjoyed them. Since I took the time to read and went back to fetch a link, Estella has gotten a spiffy new header. Cool.

You can find my review of Pat Barker's Life Class, here. It was not a favorite read, but I did like Barker's voice and plan to read more of her work.

Last night, I finished my first read for the month of April! Wahoo! It's The Olive Season by Carol Drinkwater. The Olive Season is the second of two memoirs by Drinkwater which tell of her experiences on the olive farm in Provence that she and her husband purchased and tend to between film jobs. I was surprised to see that the author's face is familiar. For some reason, I envision her dressed in period clothing from WWII, although I haven't looked up her filmography to find out what films or television shows in which I might have seen her perform. Drinkwater's writing is lovely and welcoming. You feel as if you've been allowed to peek into her charming country life and it's mostly quite uplifting as she has a love of nature and life that truly leaps off the page. The latter half is quite emotional, due to a terrible loss that occurred during the time period covered in this particular memoir, and yet it ends on a positive note.

I'm hoping to finish A Fraction of the Whole, tonight or tomorrow. Also reading:

It Happened in Oklahoma by Robert L. Dorman and

Loose Ends: Short Stories and Poems by Les Combs. The first short story in this book made me smile and was nicely unexpected, so I'm really looking forward to reading the rest.

Hope everyone had a terrific weekend!

Bookfool on the Prairie